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Curriculum
Vitae Stephanie Anne Johnson
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Education:
1999
Master of Fine Arts in Art - University of California
at Berkeley
1994 Master of Arts in Interdisciplinary Studies - San
Francisco State University
1974 Bachelor of Fine Arts in Theater - Emerson College,
Boston, Massachusetts

Employment:
Instructor
of Sculpture, Installation, Performance Art and Public
Art
California State University, Monterey Bay - Visual And
Public Arts Institute
September 1995 to present.
Acting
Director
Visual and Public Art Institute
Spring 2002
Teacher
of Installation and Performance Art
Martin Luther King Grammar School, Sausalito, California:
February, 1996 - May, 1996
Creation
of art and performance projects with 5th and 6th graders.
Teacher
of Theater and Performance
California Women's Correctional Institution, Pleasanton:
1978-1980
Massachusetts Women's Correctional Facility, Framingham:
1974 - 1976
Preparator
for Dr.Amalia Mesa Bains' installation. Work on this
installation required: creating slides for the piece,
supervising crewmembers on site in Copenhagen in the
painting and application of text to walls. This work
also included: uncrating, repairing and placing all
the elements including trees, photographs, personal
memorabilia and found objects into an armoire.
1996 Kunstforeningen, Copenhagen, Denmark
Apprentice
to master model-maker, Noel Gregorian. Tasks included
building scale model trees, buildings from plexiglass,
cardboard and foam core.
1983 -1985 Modelmakers, San Francisco, California
Lighting and Slide Designer
Theater, Dance, Concert, Special Event: 1974 to present
Gaffer,
Electrician
Film, Video: 1983 to present
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University
and Teaching Experience
California
State University, Monterey Bay - Visual And Public Arts
Institute
Courses taught :
- Diverse
Histories In Contemporary Art
- Pro
Seminar for V.P.A. Majors
- Senior
Capstone Class
- Installation
Art and Performance
- Advanced
Sculpture
- Community
Research Service Learning
California
State University, Monterey Bay - Campus wide service contributions:
- Creative
Expression University Learning Requirement Committee
(FY 1999-2000)
- Human
Communications Department Hiring Committee (FY 1999
- 2001)
- Visual
and Public Art Program -Hiring Committee Chairperson
(FY 1999 - 2001)
- World
Theater - Lighting Designer / Consultant (FY 1998 -
present)
Guest
Lecturer / Instructor:
| 2000 |
California College of Arts and Crafts - Instructor
Beyond The Studio: Time, Light and Culture As Tools |
| 1999 |
Washington
State University - Lecturer
Art As Social Action: Dismissing Mythology, Dismantling
Hierarchy |
| 1997 |
San
Francisco State University - Lecturer |
| 1997 |
Rancho
Santiago College, Santa Ana, California - Lecturer
Light and Narrative |
| 1996
- 98 |
University
of California Extension, S.F. - Cinema Studies Department
A Hand-On Approach To Principles Of Lighting for Film |
| 1996,
1993 |
University
Of California, Berkeley - Lecturer
Mixed Media Sculptures and Installations |
| 1995 |
California
College Of Arts & Crafts, Oakland - Photography
Department
The Use of Slide Projection and Light In Art Installations |
| 1995 |
Spelman
College, Atlanta, Georgia - Lecturer
The Use of Autobiographical Narrative in Art Installations
|
| 1992 |
California
College of Arts & Crafts, Oakland - Film Department
- Lecturer
Principles of Lighting For Film |
| 1992 |
University
of California Extension, Berkeley - Cinema Studies
Department
Principles of Lighting For Film |
| 1991 |
San
Francisco State University - Women's Studies Department
- Lecturer
Art As Empowerment For Women of Color |
| 1986 |
Theater
School, Amsterdam, Holland - Instructor
Basic Stage Lighting For Actors |
| 1985
- 86 |
De
Melkweg, Amsterdam, Holland - Instructor
Basic Stage Lighting |
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ART
Discussion
Panelist:
|
1999
|
San
Francisco Art Institute (with Elena Featherston) -
Lecturer
Insider Outsider Salon Series |
|
1999
|
The
College Art Association, Los Angeles, California
Art Program Assessment; A Case Study -
CSUMB's Visual & Public Art Program |
|
1996
|
Spelman
College, Atlanta, Georgia
Artist's panel for Bearing Witness exhibit |
|
1995
|
High
Museum, Atlanta, Georgia
Public Art |
|
1994
|
Yerba
Buena Art Center, San Francisco, CA
Strategies for African American Film Workers |
Grant
Review Panelist / Committee Member:
|
2001
|
Headlands
Center For The Arts - Program Committee |
|
2000-2001
|
Berkeley
Civic Arts Review Panel - Public Art Commissions |
|
1996
|
San
Francisco Art Commission
Individual Artist Commissions - Visual, Media &
Literary Arts |
|
1994
|
City
of Oakland, Cultural Affairs
Pubic Art Commissions Review Panel - Visual Art |
Grants/Residencies/Awards:
| 1999 |
Margaret
Calder Hayes Prize - U.C. Berkeley and Berkeley Art
Museum |
| 1999 |
Wallace
Gerbode Fellowship (Resident Scenographer for Cultural
Odyssey, S.F.) |
| 1995 |
Headlands
Center For The Arts, Sausalito, CA - (11 month studio
residency) |
| 1992 |
New
Langton Arts, San Francisco, CA |
| 1982 |
National
Endowment Fellowship in Design |
| 1979 |
Money
For Women Fund |
Commissions:
|
1999-00
|
M.H.
deYoung Museum, San Francisco |
|
1996
|
Richmond
Art Center, California |
|
1995
|
The
Arts Festival of Atlanta, Georgia |
|
1994
|
Intersection
For The Arts, San Francisco |
|
1993
|
Institute
For Design & Experimental Art, Sacramento, California |
|
1993
|
Richmond
Art Center, California |
| 1991 |
Public
Art Program, City of Oakland, California |
Solo
Exhibitions:
| 2002 |
Saint
Lawrence University, Canton, New York |
| 1999 |
Interdisciplinary
Design Institute Gallery -
Washington State University, Spokane Washington |
| 1998 |
The
Lab, San Francisco (Two person exhibit with Gale Jesi
) |
| 1996 |
The
Richmond Art Center, California |
| 1995 |
Historic
Oakland Cemetery, Atlanta, Georgia |
| 1994 |
S.F.
African American Historical & Cultural Society,
San Francisco, CA |
| 1993 |
I.D.E.A.
Artspace, Sacramento, CA |
| 1993 |
Ohana
Gallery, Oakland, California |
| 1992 |
Bayview
Opera House, San Francisco, CA |
| 1991 |
Southern
Pacific Railroad Station, Oakland, CA |
| 1990 |
First
Unitarian Church, Oakland, California |
| 1990 |
St.
Paul of The Shipwreck Church, San Francisco, California |
Group Exhibitions:
| 2000 |
The
Jewish Museum San Francisco |
| 1999-00 |
M.H.
deYoung Memorial Museum, San Francisco, California
(catalog) |
| 1999 |
Washington
State University Museum of Art, Pullman, Washington |
| 1999 |
Gibbes
Museum of Art, Charleston, South Carolina |
| 1999 |
Edwin
A. Ulrich Museum of Art, Wichita, Kansas |
| 1999 |
Portland
Museum of Art, Portland, Maine |
| 1999 |
Museum
of Fine Arts Houston, Texas |
| 1999 |
Berkeley
Art Museum, California (catalog) |
| 1998 |
Polk
Museum Of Art, Lakeland, Florida |
| 1998 |
The
Columbus Museum, Columbus, Georgia |
| 1998 |
The
African American Museum, Dallas, Texas |
| 1998 |
Minnesota
Museum of American Art, St. Paul, Minnesota |
| 1997 |
Fort
Wayne Museum of Art, Indiana |
| 1997 |
Polk
Museum of Art, Lakeland, Florida |
| 1997 |
Euphrats
Museum, De Anza College, Cupertino, CA |
| 1997 |
Southern
Exposure Gallery ( off site locations), San Francisco,
CA |
| 1996 |
Spelman
College Museum of Art, Atlanta, Georgia (catalog) |
| 1996 |
Falkirk
Art Center, San Rafael, California |
| 1995 |
Fort
Mason - Pier 1, San Francisco, California |
| 1994 |
California
College of Arts & Crafts, Oakland |
| 1994 |
ProArts
Gallery, Oakland, California |
| 1994 |
Berkeley
Art Center, California (catalog) |
| 1993 |
Yerba
Buena Center For The Arts, San Francisco (Inaugural
exhibition, catalog) |
| 1993 |
San
Francisco Arts Commission Gallery (catalog) |
| 1993 |
Richmond
Art Center, California |
| 1992 |
Bayview
Opera House, San Francisco, California |
| 1992 |
San
Mateo County Arts Commission, California |
| 1992 |
Herbst
Pavilion, San Francisco, California |
| 1991 |
Institute
For Design and Contemporary Art / Brockman Gallery,
Sacramento |
| 1991 |
Santa
Cruz Art League, California |
| 1989 |
Sargent
Johnson Gallery, San Francisco, California |
| 1983 |
Studio
W, San Francisco, California |
Special Exhibitions - Art:
|
1996
|
Bearing
Witness: Contemporary Works By Twenty Five African
American Women The Camille Hanks Cosby Academic Center
Gallery
Spelman College, Atlanta, Georgia
( By invitation, two mixed media sculptures were created
for this show which toured from 1996-1999. Catalog
by Rizzoli publishers.) |
|
1994
|
Black
Men Die of Rage, Black Women Die of Sorrow, I Ain't
Goin' Out Like That
Culture On The Corner, San Francisco
(An installation using seven shop windows on Filmore
Street.) |
|
1993
|
LightEscapes
- A Celebration of Bay Area Light Artists
San Francisco, CA
"South Africa / The Bronx " & "D.M.
High School 1970"
(Two slide montage pieces projected on buildings) |
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Publications-Art:
Skin
Deep: Women Writing on Color, Culture and Identity
Edited by Elena Featherston
The Crossing Press, California 1994
(Artist's statement and manifesto included.)
aleph, beth - Art / Philosophie / Litterature
( In French )
Edited by Nimrod Bena
Paris, France 1997
(Artist's statement, photos and selected reviews presented
in the second issue of this arts and culture journal.)
Saint
James' Guide To Black Artists
Thomas Riggs, Editor
(Included in this extensive resource guide are an artist's
biography and introduction written by Dr. Jontyle Theresa
Robinson, curator of the exhibition,
Bearing Witness.)

Art
Bibliography
Berk,
Amy, World Sculpture News, Forever On The Move:
S.F. Bay Area Overview
Winter, 2000
Farris,
Phoebe, Camerawork, Racializing Gender: Women Photographers
from the Seventies to the Millenium
Fall / Winter, 1999
Amber
Moore, The Daily Evergreen, "Artist-In-Residence
'bears witness'"
September, 1999
Brandt,
Joshua, The Jewish Bulletin, "Tzedakah box takes
on New Dimensions in
San Francisco Exhibit"
November,
1999
Terry
Cohn, Artweek, "Light As Medium" ( cover
image and articles)
October, 1998
Joe
Heim, West County Times, "Men and Women At Work"
August 1, 1996
Marin
Scope, "Bayside / MLK Students Express Feelings
About Local Community"
May, 1996
John
Moses, Marin Independent Journal, "Bayside / MLK
Stage Their Thoughts"
May, 1996
Valerie
Boyd, The Atlanta Journal / Constitution, "Nine
With Shared Legacy Lend Voices to 'We Speak'"
September, 1995
Anthony
Torres, Artweek, "Stephanie Johnson's 'Underground
Railroad' at Intersection For The Arts",
January, 1995
Meredith
Tromble, Artweek, "A Conversation With Ann Chamberlain
and Stephanie Johnson, Artists",
July, 1994
Julianne
Malveaux, The Sun Reporter " Stephanie Anne Johnson,
A Life: Light and Works"
April, 1994
Yumi
Wilson, S.F. Chronicle, "Art Exhibit Reflects
Immigrants' Suffering",
March, 1994
Bill
Berkson, Art In America, "Report From San Francisco"
,
June 1993
Chiori
Santiago, The Express, "East Meets West",
December,
1993
Jeff
Kelley, Artweek, "A Show Of Qualities",
November, 1993
Victoria
Dalkey, The Sacramento Bee, "On Death, Friends
and A Child's Sorrow",
October, 1993
Sheila
Muto, Asianweek, "Black Artist Bridges The Gap
With Asians"
April, 1993
Chiori
Santiago, The Oakland Tribune, "Main Street",
January, 1993
Jacqueline
Ginley, The Contra Costa Times, "Telling the Tale
of A City",
January, 1993
Terry
Cohn, Visions, "Advanced Placements",
Summer, 1992
Architectural
Lighting Magazine, "Johnson's Art Binds Ties At
16th Street",
April, 1992
Steve
Rubenstein, The San Francisco Chronicle, "Flickering
Lights and A Lonesome Whistle",
November, 1991
Bill
O'Brien, The Express, "Rail Art Show Plays Old
Depot"
December, 1991
John
R. Wilkins, The Daily Californian, "All Aboard"
November, 1991
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THEATRE
*Reviewed
shows
Most
Recent Work:
Lighting
Design
The
Bakkhai - HERE Theater, New York - September 2001
*Nosferatu
- Prithvi Theater, Bombay, India - November, 2000
HERE Theater, New York - May, 2000
Telluride Repertory Theater, Colorado - July, 2000
The University of Paris, Jussieu campus - 1996
From Sorrow To Joy: The Legacy of Paul Robeson
and Mei Lanfang
Zellerbach Playhouse, Berkeley, California - May, 2000
Walker Art Center, Minnesota - June, 2000
Lighting
Design
(Selections)
Directing
/ Scenography / Dramaturgy:
*The
Women At The Tomb by Michel DeGhelderode ,
Berkeley Civic Club, and The Scottish Rites Temple,
Oakland
(Director, scenographer. Also wrote and performed the
prologue, a dialogue between the director and playwright.)
Drama:
Afro
Solo - Resident lighting Designer (1996-present)
*Medea
- Telluride Repertory Theater, Colorado
*Seven
Guitars - Arizona Theater Company, Tucson &
Phoenix productions
*Fear
And Misery of The Third Reich - Lunes De Mai Theater
Co. - Paris, France
Fences
- Oregon Shakespeare Festival - Portland, Oregon
Steel
Magnolias - Theaterworks - Palo Alto, California
The
Blacks - Soeterijn Theater, Amsterdam, Holland
Dance:
*Idris
Ackamoor, Rhodessa Jones, Bill T. Jones - Theater Artaud
- S. F., CA
*Anne
Bluenthenthal and Dancers - (Resident L. D., 1990 -
1997) S.F., CA
*Dimensions
Dance Theater - (Resident L. D., 1989 - present) Oakland,
CA
Opera:
*The
Kingdom - De Engelenbak Theater - Amsterdam, Holland
La
Boheme - Berkeley Opera Company, California
Musical
Theater:
La
Cage Aux Folles - Diablo Valley Light Opera Co .-
California
*Jesus
Christ Superstar - Arena Theater Company - Gent,
Belgium
Fashion
Shows:
Ignacio
Peri Designer's Showcase - Paramount Theater - Oakland,
California
Classic
Options Showcase - San Francisco, California
Benefits
/ Community Productions:
Winnie
Mandela & South African Sisters Celebration
- Berkeley, California
MacDonald's
Annual Gospel Contest (1990 -1994) - Oakland, California
Celebrate
The Children of Resistance - Middle East Children's
Alliance
Love
Heals : Danny Glover, Alice Walker - Calvin Simmons
Theater, Oakland
Concerts:
DeeDee
Bridgewater - The World Theater, Seaside, California
Richie
Havens and Pete Seegar - Berkeley Community Theater
Redwood Records Resident Lighting Designer 1990 -96.
( Artists presented included Laura Nyro, Bernice Johnson
Reagon, Ani DiFranco, Linda Tillery)
Tours:
*Fear
And Misery of The Third Reich - Lunes De Mai Theater
Co. -
Paris, France and Los Angeles Playhouse, California
Lollapalooza
Concert Tour - (Lighting Director, computer tent), U.
S. & Canada
Dance
Black America - Brooklyn Academy of Music, Apollo
Theater & Midwest
*Nosferatu
- Prithvi Theater, Bombay, India - November, 2000
HERE Theater, New York - May, 2000
Telluride
Repertory Theater, Colorado - July, 2000
The
University of Paris, Jussieu campus - 1996
From
Sorrow To Joy: The Legacy of Paul Robeson and Mei
Lanfang
Zellerbach Playhouse, Berkeley, California - May, 2000
Walker Art Center, Minnesota - June, 2000
Slide
Design:
Nosferatu
- Bombay, New York, Paris
Zulu
Harmony In Concert - Theater Artaud- San Francisco,
California
*Anne
Bluenthenthal Dance Company - San Francisco, California
The
Colored Museum - Oakland Ensemble Theater, California
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Publications-Theater:
Imagining
Medea: Rhodessa Jones and Theater for Incarcerated Women
By Rena Fraden
The University Of North Carolina Press, 2001
Photos of design work taken by S. Johnson
Special
Exhibitions - Theater:
| 1998 |
Underground
- A dance / theater performance by Dimensions Dance
Theater,
Alice Arts Center Theater, Oakland.
(Set pieces, light sculptures ,lighting and slide
design created by commission.) |
| 1995 |
Onstage:
A Century Of African American Stage Design
Lincoln Center Arts Library, New York
( Photos of lighting designs from national & international
productions shown.) |
| 1994 |
Excavations
- Anne Bluenthenthal and Dancers
Cowell Theater, San Francisco
(An art installation and slides were created for this
dance performance.) |
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Theater
Reviews
(Selection)
Arindam
Ghatak, Pune Newsline, India- The Vampyre Strikes
Back
November, 2000:
"Nosferatu,
the Vampyre was a bilingual theatrical experience which
conveyed the story between good and evil with a chorus
in Hindi, fluid movements and the effective use of light."
Francine
Russo, The Village Voice, New York - Victim's Rites
June, 2000:
"The
staging scores, though, with its technical effects:
François Tomsu's chiaroscuro costumes and dazzling
set projections, Andy Grondahl's ghoulish makeup, Stephanie
Johnson's sensuous lighting......" "The tableau
created by the large, talented cast are knockouts:........a
white gowned maiden carried on the shoulders of ghouls
into an amber lit church".
Susan
Viebrock, Telluride Daily Planet - Beautiful But
Deadly: Rep/Migliaccio's 'Medea' Offers Thrill and Chills"
July, 1999:
"Tomsu
and Johnson transformed the Telluride Town Park stage
into a contemporary version of a Greek amphitheater,
splendid in its austerity, glowing with a warm nertherworld
light, saturated by sepia tones suggesting the past
and blues for a prevailing social sadness. Johnson lights
the escalating horror with yellowish reds and in the
final terrifying moment, a definitive hellish red."
John
H. Doyle, Wassup Doyle Arts and Entertainment News -
The Women At The Tomb
September, 1998:
"Noted
Bay Area artist and lighting designer, Stephanie Johnson,
has mounted an entertaining and daring conceptual production
of The Women At The Tomb written by Belgian playwright
Michel De Ghelderode in 1928.....(The Prologue) was
both informative and entertaining. Stephanie and René
Migiliaccio (playing the playwright) worked well together...Their
timing was sharp.....
Wanda
Sabir, San Francisco Bayview - Underground
February, 1998:
"The
dancers interplay with the four slave blocks changed
visual artist Stephanie Johnson's stark set into a forest,
slave quarters, the Jennings plantation or a tunnel....
Dancers holding lit pyramid, dispersed into the audience,
inviting people to join them on stage."
Park
LaBrea News / Beverly Press - Fear and Misery of
The Third Reich
November, 1997:
"The
livid red lighting in the opening and closing scenes
exaggerate the hollows and cavities of the parade of
the condemned......"
Margaret
Regan, Tucson Weekly - Sweet Sorrow 'Seven Guitars'....
April, 1997:
The
fine urban street set
..gets a lovely light
treatment by Stephanie A. Johnson: This city dead end
glows by turns with the rosy optimism of dawn and the
sweet melancholy of twilight.
Allan
Ulrich, S. F. Examiner - Bluenthenthal Celebrates
10 Years of Choreography May 13, 1994:
"The
sequence begins with Stephanie Johnson (who is also
the excellent lighting designer) dressed in martial
arts garb and brandishing two fearsome sticks".
San
Jose Mercury News - Sentiment Doesn't Sap Dramas
of Dignity
January 18, 1994:
"....takes
on magical properties when Stephanie A. Johnson flecks
it with starlight or uses a flashlight and a compact
mirror to bounce wil-o'-the-wisps off it."
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Film,
Video, Television
(Selection)
Streamed
Video:
Ready
2 Net - A series of lecture discussions televised
and streamed.
California State University Monterey Bay
Lighting Director
Features:
Warrior
Marks - Alice Walker and Pratiba Parmar
Gaffer (California locations)
Columbus
On Trial - Lourdes Portillo
Gaffer
The
Five Heartbeats - Robert Townsend, Hollywood, California
Electrician
Industrials:
American
Telephone and Telegraph - Cross Country Video, Albany,
CA
Gaffer ( Telecommunications Conference)
Pacific
Gas and Electric - Francee Covington Productions, San
Francisco
Gaffer
Music
Videos:
MC
Hammer, "Please Hammer Don't Hurt Them"
- Fragile Films, Los Angeles
Electrician
Two
Nice Girls - Colossal Studios, San Francisco, California
Gaffer
Documentaries:
Alice
Walker, Visions of the Spirit - Reel Directions,
San Francisco
Gaffer
The
Martin Luther King Papers Project - Naked Eye Productions,
S.F.
Gaffer
Streamed
Media:
Ready
2 Net
California State Monterey Bay
(A series of streamed discussions on education for television
and the internet.)
Television:
The Story of Mothers and Daughters - ABC film
Gaffer
Rescue
911 - "Unwanted Intruder" & "Plaster
Torso" segments
Gaffer
America's
Most Wanted - "Teddy Unterreiner" segment
Gaffer

Membership
- Professional Organizations:
International
Association of Theatrical & Stage Employees (IATSE
#16), San Francisco
Journeyman
International Association of Lighting Designers (IALD)
- New York
Associate Member
United
States Institute For Theater Technology (USITT), New
York
References,
reviews, slides, videotapes and additional materials available
upon request.
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